These are not the droids you’re looking for

This is not the post of creative worth I had hoped it would be. I’d say I’m in the middle of the project, but I never actually got around to starting it. I can, however, claim to have begun it on a technicality, since I’ve had this particular short story in my head forever and I have several pages of notes written on it.

(Yes, seriously, I write notes for short stories. Anyone have any guesses as to why it takes me so long to produce anything? Anyone? Bueller?*)

In fact, I’ve decided that I won’t be uploading anything of creative worth for awhile. I’ll be updating my blog just to prove to my two watchers that I’m still here (though even that’s more than a little unnecessary – I’m related to both of them, so I’m guessing they’d notice if I actually disappeared off the proverbial map before the lack of blog updates clued them in; good thing, or they would’ve suspected I was dead seven or eight times over by now), but I’m going to be focusing solely on one of my long projects. Yes, Boonder, that one.

And because this blog post feels way too short, here’s a little piece of a story I will almost certainly never write, pulled out of a document I have labeled “Random bits of this and that”:

When Jennifred Louise of the Fruisian Kingdom was eight, she fell madly in love with a horse with the unromantic name of Bluestock, which she promptly changed to Midnight Prince. When she’d grown out of that, she gave her hopelessly romantic heart to a knight whose face she had never seen. She was a very old twelve when she discovered that he had a rather unsightly mole on his upper lip, upon which she decided that she couldn’t love anyone at all. But on the eve of her fifteenth birthday, thirty minutes past bedtime and sneaking a peak at the guests, Jennifred Louise Fruisa the Thirteenth fell in love with Prince Rupert. For real and for good this time.

Which was a shame. Because when Rupert Tylan Dariles the Fourth had turned sixteen, he’d fallen madly in love with himself.


*It’s the prep time. Planning is so much easier than producing.

Turns Out There’s a Reason FOREVER ALONE is a Popular Internet Meme

Last Sunday night my loneliness got to me. Most days I can find a lot of contentment in singleness (the greatest advantage of which is the fact that I have no one to answer to but myself; if I want to go out and do something at the drop of a hat I can), but once every month or so the absolute alone-ness of my existence just crushes me. I was so sad, in fact, that I actually typed “I’m going to die alone” in Google search, because Google cares deeply about my emotional wellbeing.

(I can’t believe I’m admitting to this. But stick with me.)

Search result #1 was an article from Cosmopolitan, titled “18 Signs You’re Going to Die Alone.” Now, I dislike Cosmopolitan; first by instinct, and second for more practical reasons – on principle, and because the woman one homeowner before me never informed the mail wizards at Cosmopolitan that she’d moved. Though she’s clearly dodging her financial troubles by refusing to inform anyone of her change in address, she can somehow still afford a lifelong subscription to one of the dirtiest magazines you can buy in a grocery store checkout line. No. No I do not want to know how to drive him wild, and I especially don’t want to find out while standing behind the mom with three kids under four and in front of the seventy year old lady reshuffling her coupons for the sixteenth time.

Mind you, it wouldn’t bother me so much if a) they gave up after the first dozen “NO LONGER LIVES HERE” notices I’ve sent back to them, and b) I wasn’t the kind of overly self-conscious person that worries about what her mailman thinks of her. It bothers me that he may think I want Cosmopolitan delivered to my house now that I’ve given up returning to sender (never mind that he’s almost certainly never thought about it). So normally I’d forget that noise and move on.

Unfortunately, I’d hit a rather low point in my evening by then and I was looking to cry over anything, including any or all of the 18 signs that I might be exhibiting. Not that I’d set a lot of store by Cosmopolitan come sunrise (my mood always improves with daylight), but if I wanted to really mourn, I’d do it thoroughly. Was I destined to be forever alone? I had to know. So I clicked on the link.

This greeted me:

The article only got better after that. Probably because Sign #8 (When the sun is setting and there’s a bit of a breeze and you feel alone but content and you decide to stop looking for The One*) was absurdly familiar, only it had been 11 at night and I could just make out the Milky Way, which always makes me feel tragically poetic. According to the article, “this moment probably feels really profound right now, but that’s just because you’re overtired…you will forget about this by lunchtime next Wednesday.” What a blow to discover that Cosmopolitan, of all magazines, had my number. Follow that up with a Reddit thread discussion that clocks in as search result number 3 (in which I read what I would sound like if I actually admitted these things on a public forum; if there’s anything that can sober a moment of melodrama it’s finding out that my ghost of teenager past isn’t even original), and at that point I had absolutely no choice but to laugh at myself.

That had to have been the most cathartic Google search I’ve ever experienced. Honestly, now I kind of wish this is just how Google always responded to this particular query:

I spent the rest of the evening on YouTube, cheerfully listening to the same two piano compositions over and over again, because until I can afford a piano I have to practice using Professor Harold Hill’s think system**. I’ll admit, I’ve had more productive evenings. But I had a good one, which, considering that I’d been prepped to weep all night, was productive enough.

Now there was a segue that really didn’t belong. Anyways (and as always): same Bat-time, same Bat-channel. Never mind that it’s never the same Bat-time. I’ll try to have something of creative worth on the next go round.


*I don’t actually believe in “The One.” I do believe that passion, compatibility, and emotions have their place, but I also know that love has as much – if not more – to do with the choices we make rather than the feelings we feel.

** For the uninitiated, Harold Hill is a conman in one of my go-to musicals***, in which he gets around knowing neither how to read music nor how to play any of the instruments he just sold to every boy in town (with the promise that he would teach them how to play) by instructing his students to simply think the Minuet in G over and over again until they can play it. I’ll let you know how it works out for me.

***For the record, “The Sound of Music” is my favorite musical of all time and I’ve never bothered ranking the rest; but if I did, “The Music Man” would be somewhere near the top.

Look Ma, I Only Wrote Half This Post

I would like to take this week-late blog update as an opportunity to explain my writing process. Here is a rather telling exchange between my web admin and me, inadvertently describing my work ethic:

SMS: Got a notice of a software update available for the wordpress instances we have installed. Do you do backups for everything you put on your site? This should be a safe update when I do it, but better to be safe than sorry, so thought I’d ask.

TSF: Actually, I don’t have everything backed up. Do you know if there’s a fast way to do this, or do you mean do I have a word document saved for each of my blog posts? Because I don’t, alas, having written most of them directly on the website, but I’ll get to work on that if you recommend it.

SMS: I’ll look into it to see about what is recommended for backing up wordpress posts and the like. Might not be a bad idea to have at least some form of backup for those, though.

TSF: I know – I’ve been thinking about backing these up for a few months now. Just putting it off to make the job bigger when I finally give in and get it done.

SMS: Haha, nothing like making a job harder as the quickest way to increase procrastination!

And then I said something extremely witty back to him, only I didn’t or I would have posted it here. For accuracy’s sake – but mostly because my web admin does read my blog – I’ll admit to truncating most of these messages for expediency’s sake.

(Also, is my first update in over a week a rehashing of a conversation I had with someone?)

(I should probably stop asking myself rhetorical questions.)

I live somewhere in the vicinity of the Wood Between the Worlds and an English-to-Idiom Dictionary

I sound absolutely, 100%, balls-to-the-wall* insane when I write. I put up a decent semblance of normalcy for a while (though if I’m anything like my sister I mad-dog my computer screen – seriously, it’s terrifying to hand her any of my stories because she’ll read it with her eyebrows drawn together and a fierce frown on her face, only to hand it back with “it was good” or “I liked it” or “It was kind of boring;” she doesn’t mince words, my sister), when suddenly something will pop into my head, and I’ll laugh.

That doesn’t do the visual justice. I mean I cackle, suddenly and loudly, like a witch who has just noticed Hansel and Gretel nibbling at the door frame of her gingerbread house. I have sent my cat running from the room before.

This is only slightly less terrifying than when I seemingly start laughing without provocation or reason. I spend a lot of my waking hours just thinking about my stories while away from the general proximity of my computer, so I don’t actually have to even be in the act of writing for this to happen. A piece of dialogue, the imagined expression on a character’s face, a sudden brilliant idea – I live in this world, sure, but I simultaneously live in several others.

If I wasn’t so determined to write for a living, I’d give it all up and just be a paranoid schizophrenic.


*This is not, in fact, as dirty as it sounds. I checked. “Balls to the wall” has piloting origins, “ball” referring to the throttle lever which is pushed against the wall when going full throttle. I’d change it anyways, just for sounding dirty, if I could come up with another phrase that rhymes**.

**Though I did, unfortunately, miss the chance to use the phrase “rats in the attic,” one of the best idioms for going crazy. This is only slightly less fun than my Danish friend’s favorite home-grown expression, “Gå agurk!” or, “Go cucumber!” I thought this in itself was insane until someone in my family (I’d give credit where credit is due if I could remember; I’d straight up pretend I remembered if I didn’t think that would lead to a lot of finger pointing when I see everyone this weekend) pointed out that Americans use the phrase “go bananas.” Mind you, I’ve never seen a monkey go crazy over a cucumber, but I’m sure there’s an animal out there who does. Besides my mother.

(Also: my postscripts are officially only eight words short of being longer than the actual post. Have I mentioned lately that I’m very good at talking at length about nothing? Because I’m great at talking at length about nothing.)

(And a final addendum: did I just pull out the calculator for that math? Yes. Yes I did.)

In Weekly Despair

I am very nearly officially out of poems to upload. I think I’ve said that before, but I’m actually starting to mean it. Good gracious, I’m actually going to have to write original content again. While I’m lamenting that, here’s a poem I wrote for my sister and her husband:

In Daily Prayer

Another Christmas present from a couple of years ago. I know how long it’s been because there are now two children in the household rather than just the one mentioned in the poem, though they’re still getting up by the light of moon (because my three-year-old nephew is apparently just a naturally early riser and the baby has an internal alarm that’s triggered whenever her mother is about to drop off to sleep; my brother and his wife, on the other hand, managed to produce a child that gets up after eight, so if I ever have children I’m going to be asking them for advice).

Also, this one is practically plagiarism, as you may have noticed (if you’re at all familiar with common Lutheran prayers, which, of course, everybody totally is). I love borrowing other people’s work, putting together a mashup, and calling it an homage. Good times. Actually, the more structure a poem has the more I like writing it. It’s fun to try and work around whatever rules I’ve chosen for a particular project. Sometimes I think I have such a hard time focusing on any of my novels because the playing field is just too open-ended. The amount of options bog me down when I write general fiction (I have spent years arguing with myself about the best way to start chapter one in a novel that I threaten to deep-six every other month), whereas a poem is both short and girded by pretty strict rules. You want to say something long and complicated? Oh, I’m sorry, you have ten syllables and a rhyming word to work with, now describe the difference between sanctification and justification in five words or less.

(Well, shoot, I just realized now I’m going to have to try that at some point. If only to find out if it can actually be done.)

In the meantime, enjoy, even if you’re not into the common table prayer. Just try not to focus too much attention on all the slant-rhyme.

Three Ways I Got Out of Baiting a Hook and One Way I Didn’t

The first time I got out of baiting a hook I was too young to know better.

I was five years old and big enough to hold a pole, which was reason enough for Dad to put one in my hands.  The first worm was always a freebie.  He’d string up the bobber and bait the hook with one hand, tipping the circular container in the sunlight so that I could see the silhouette of dirt against blue plastic.  There was a very distinct smell to it, earthy and good and kind of wormy.  I was afraid to touch the punched holes.

Once he was done I’d jitter with fisherman-like zeal, sending ripples out from the shore as I jerked the line to make it more interesting to the fish.  When that failed I’d dangle the line right above the water, worm spinning in lazy circles against the surface as I waited for my well thought-out plan to succeed.

The desperate need to catch something was outweighed by only one thing: the desperate need to keep the worm on the hook for as long as possible.  I spent most of my time looking to see if the bait was still there, relieved when it was.  With five-year-old enthusiasm I’d re-dunk it, wondering if a worm could drown.

The result was unavoidable.  My sister and I would need to re-bait our hooks.

We usually waited until we both needed to get another worm, with the comforting thought that the other person would go first. We’d start poking at the night crawler container with high-pitched “eee!” noises before the lid came off, increasing in volume every time we dropped one.  Four or five “eee!”s in and Dad would come over and tell us in a carefully patient voice that we needed to be quiet or we’d scare the fish.

(Our older brother, standing with calm certainty on a rock along the shoreline, wouldn’t look at us when this took place, though he did always manage to adopt a general air of disdain that was impossible to ignore. Or maybe that was just basic smugness.)

Dad had this wonderful way of sighing without noise.  He’d let out the breath in one long exhale of silence as he squeezed the remaining half of the worm onto the end of one hook then the other, a motion that could have been “I love you” or “why did I think this was a good idea?”


The real trick was that I’d known better for years.

I could have baited my own hook, but Dad had already reinforced my behavior (there are articles about this in parenting magazines), and I got out of it for years.  Inevitably, however, the “eee!” wore out and I was back to hoping my sister would go first.  The worms hadn’t gotten any less creepy.

(I didn’t actually have a problem with touching worms. Once, when pulling the weeds out of my mother’s lilacs, I found a juicy worm that had to be taken to Dad in the living room immediately.  He declined the offer, thanked me as he looked around for Mom, and told me to put it back where I found it.  I was insulted, and felt the enormous waste of the quarters that went into the stands that sold nightcrawlers.  It was squeezing them hard that creeped me out, the way they’d wriggle in your hand when you were forcing the powerfully floppy things onto a hook.)

Adversity breeds creativity.  Even if it’s not that creative. As soon as the worm was lost I suddenly had a hundred and one things I could be doing.  I’d be unexpectedly thirsty, off to the pickup for a can of pop, finally ready for my bathroom break maybe.  I even stared at a tree once, looking up at the leaves with my wormless pole in hand, and told my dad how pretty it all looked when he came over to see what was the matter.

He baited the hook, since he was over there anyways.


One day, I turned into a girl.

It was looking in a mirror that did it.  I suddenly wanted to grow my hair past the mushroom-cut I’d sported for years, and wondered if shopping was really so bad as it at first seemed.  We’d moved at that point, but every summer the family came back to Montana and for a couple days Dad would disappear with my brother, my uncle, and my cousin.  They returned with sunburns, pictures, and a cooler layered with rainbow trout and salmon.  I’d look at the pictures, consider how impressed I should be by the size of the fish, and think how it wouldn’t be fair to break into the annual guy trip.

The first few times they went (years before we’d moved) the entire family came along, all sixteen of us: cousins, Aunts, Moms, even Grandma.  We walked for miles, caught very little, and a few years later my mother said “no thank you,” my two Aunts said they’d be fine shopping, and my sister and our female cousins said “nah” a little tentatively, like they didn’t want to upset anyone but they didn’t really want to go either.

“Do you want to go?” I asked my sister once.  I sounded accusatory, more “who would want to go?” and less what I was really asking.

“No,” she said.  “Why?  Do you?”

I remembered standing out on rickety rocks, casting lines into the water while Dad carefully pretended not to watch, the skin-crawling sensation of a worm trying very hard to get out of your fingers.

“No,” I told her, and that was the end of that.


I preferred spinners and Dad knew it.  I’d recently dared to buy myself a fishing license for the summer, and Dad had taught me how to use a lure.  In-line spinners were my favorite, twirling in the clear water as gold winked off the surface of a river, and I figured the trout in beaver creek had to be nearly as interested in the Jag as I.

But there were largemouth bass lurking in those depths.  “Rumor has it that bait is the way to go.”

“Rumor” meant someone from church had a strong opinion on the subject, and there were enough decent fishermen in the congregation to make it worth listening to. Despite any protests I might have. Dad held out the blue plastic container and I took it.  I opened it and he pushed it out of the patch of sun I was holding it in, back into the shade.

He demonstrated, pulling out a worm with confident fingers.  Dad had already cut himself helping me fix my hook and the dirt bled into the cut.  I envied his lack of hesitation.

The years had erased the fact that you had to thread the worm halfway through the hook before jabbing the metal out the other side.  I had an image of smashing the center of a worm onto the hook, which is probably why I always ended up with half a worm to work with when I was a little girl.

I couldn’t be a sissy.  I grabbed the worm and immediately felt it strain at my fingers, bunching against my thumb and index finger.

I simultaneously dropped it and remembered, keenly, why I’d made those “eee!” noises fifteen years earlier.

I laughed, nervous and embarrassed, and fished it out of the river bank, sure that I had lost points with Dad.

He was smirking when I looked at him.  “Want me to do it?”

“No,” I said, and I jammed the bait onto the hook, feeling hard metal work its way through the soft flesh of a struggling, creepy worm.

Awww :(

So I’m driving home from Mom and Dad’s, with my dinner in a paper bag and the M&M’s in a Ziploc bag in the passenger’s seat, when I take the turn off onto HWY 89 more quickly than I ought. This happens:

It was a very sad ride home.

(Because Schultz’s, when they go on road trips, don’t pull over for any reason. Except to go to the bathroom and I’d already done that.)

(Also, these were leftovers from Easter, which explains the color of the candy. Just FYI for anyone who was wondering.)

Law, Gospel, & Double Posts

I’ve had on ongoing argument with myself over the past few months, trying to decide when I should post these poems. I meant to wait until January 22nd, but the 4th of July got me thinking about freedom, liberty, and The American Way. I love my country – this, my earthly home – for its history and its ideals, for the people who make this my home and the purple mountain majesties (across the fruited plains etc.), but this, like everywhere, is still a broken land.

I am pro-life. The following is a deeply judgmental poem about the price we, as a nation, pay for our inhumanity. It was written a couple of years ago, begun in December 2012 and finally completed after the shooting at the Umpqua Community College in Oregon, in an attempt to answer a question that arose following these awful tragedies.

Fools, We

However, as a Christian I recognize that condemnation does not get the last word. God – the God of law, order, and, above all, love – seeks to grant pardon and peace according to His great mercy. Where there is repentance, there is forgiveness. While we often have to live with the earthly consequences of our sins, Christ has paid the ransom in full. We are without blemish.

Take comfort, dearest. There is no crime that has not already been forgiven.

Already Done

“Therefore I tell you, her sins, which are many, are forgiven—for she loved much. But he who is forgiven little, loves little.”
~Luke 7:47~

A Nickel’s Worth of Free Advice

I have very strong opinions about books on writing. As far as I’m concerned they’re a great way to feel like you’re writing without actually writing. I am keenly aware of the many ways one can get out of writing and still feel like they’re working on it, and this is one of the best.

Here’s the thing: I love storytelling. I love coming up with ideas. I love lying awake at night, an hour after going to bed, while I work through plotholes in my head and connect seemingly random scenes about people that no one else has ever thought of. That, and there’s nothing more satisfying than having written something. But the act of writing itself is frustrating. It’s arduous when it doesn’t go right, slow even when it does, because what really gets me is how time-consuming the process is. I’ve spent most of my adult life making clerical jobs interesting by figuring out how efficiently I can get my work done, but there’s no real way to cut corners when putting 50,000 words down on paper. Unfortunately, it turns out that the only way to have written something is to actually write. And yes, I’m projecting, but reading a book on writing is a great way to keep on procrastinating nearly guilt-free.

That said, have a steaming pile of hypocrisy: I have always wanted to write a blog series on writing tips. And because I’m putting off writing the first chapter in a novel I’ve been planning for five years, I’m going to finally do it. Not all at once but in pieces, as bits of unsolicited advice strike me.

My first tip on writing is the easiest and the hardest: just write. Sit down and do it. You want to write a book? The only thing stopping you is you. (That and probably a tendency towards perfectionism; here’s a great article on how to deal with that.) No one will write your story for you. I’m sorry, but that’s how it is. How do I know? Well, because I’m insane and I once googled my own book idea, just to see if someone had already written it for me. I was…disappointed, to say the least. A little relieved, but mostly disappointed that someone hadn’t beaten me to it.

My second show-stopping piece of advice for improving your writing is this: read. You’d think it would be to write, but that comes in as a faraway second. The absolute best way for you to improve your writing is to read. There are benefits to reading both good and bad writing, though I ultimately recommend a range of styles, just to keep yourself from falling into someone else’s specific habits.

(Actually, I’d make a strong case that even watching movies and TV shows helps. While the medium is different, the strength of good programming is still in the writing. Though it uses camera angles, facial expressions, body language, and the like to evoke feelings, you have nothing to build on if you don’t start your foundation on a decent script. You can pick up on natural sounding dialogue, how to tell a story around visual cues – even book writers build their stories around pictures; a thousand words and all that – and, if you’re watching a Marvel movie, things like how to balance five thousand characters in a scene without shafting any of them.)

My style of reading happens to be intense: I analyze. Deeply and thoroughly because it’s in my nature. I’m borderline obsessive compulsive (this is not anyone’s professional opinion, just an anecdotal one: when I was young – preschool age, maybe, or possibly Elementary – I’d squeeze my eyes shut as hard as I could every time I blinked because it felt wrong not to do it the same way every time, when I was in middle school I compulsively washed my hands – how I stopped is a story for another time – and I still fold straw wrappers into neat little squares because the sight of one crumpled up in a wad on the table makes my hands feel dirty), so when I read a story or watch a movie, I first pick out what I loved and hated, then I figure out why I loved or hated it, and then I spend hours (off and on, over the course of weeks, months, and occasionally years, depending on how strongly the story hit me) picking apart how the writing pulled – or didn’t – pull it off. I love to do it. Absolutely and completely, though I never really realized how not fun that sounds until I explained it. Ah well. My thoughts are never quiet, but they make good company.

If you don’t like to dismantle a story into a pile of critically analyzed plot points over the course of years, don’t worry, let alone force yourself: a lot of what you pick up from writing happens subconsciously. For example, my grammar is excellent. It always has been. I’ve had the highest grade in my English class since Elementary school, and yet I can’t tell you a single grammar rule off the top of my head. I never could. The fact is I did so much reading when I was younger that I could look at a sentence and tell you immediately whether it sounded wrong. When I wrote a sentence, I just wrote it so that it sounded right. I was correct 99.something% of the time, and because American public schools aren’t into classical education anymore – which typically lay the groundwork for learning through rote memorization of facts and rules – none of my teachers ever figured out that I didn’t have the first clue as to why.

This is the other reason I hate books on writing: their advice usually comes across as do or die. That point is you learn differently – and you’ll write differently – based on your personality and your likes and dislikes. You’ll find your own voice without meaning to. People write what they want to hear. They can’t help themselves.

So my writing tips work for me. I have no idea if they’ll work for anyone else. Many, many writers – many of the creative types – work by feeling and intuition. I work by demanding that the process explain itself me, as clearly and succinctly as possible, without stuttering or apology.

Good night, I have just now realized that I even like thinking about writing more than writing. I need to go have my head shrunk.

Kabe-Don, Semi-Don, and the Cicada Block

“The Art of the Catapult” is a How-To project book written by William Gurstelle. My favorite bits are the history he generously includes with his projects, detailing ancient (and totally disgusting – heads were common projectiles before gunpowder) military tactics and war machines.

It also gave me a brilliant way to dress up an old story in new clothing, by changing the title to match his. I spent way too long trying to mash the idea of catapults into a story about misfits, but I’m pleased with the result. Probably because I love these two socially awkward idiots. Go here to enjoy:

The Art of the Catapult

In related news, I spent half an hour researching Cicada blocks while looking up references for people physically trapping other people in corners. It’s actually a parody of a romantic move (popularized in romance manga) called a kabe-don, in which the hero traps the heroine by using some part of his body, usually with one or both arms, and occasionally the leg. In the cicada block you use your entire body.

This is a relatively unfortunate discovery, mostly because this is not supposed to be a romantic move in this story. He’s just a jerk. Good times are not exactly had by all.

(Also, I just realized that Tom looks like he’s wearing eyeliner. It was an overenthusiastic application of the marker tool in one of my art programs. I’d fix it, but that would take actual work.)